Unlike the pure, meek woman found on votive candles, this Mary is empowered, and above all, honest. Tóibín’s premise, then, is to turn to Christ’s mother to get the straight story. By her account, Christ’s most well-known acts were far from providential, and Mary herself isn’t as demure as myth would have it: Halfway through the book, she threatens two disciples at knifepoint. Mary relates some of Christ’s most well-known plot points-the raising of Lazarus, turning water to wine, the crucifixion-all the while waxing nostalgic on simpler days, back when her son wasn’t The Son. Testament is Mary’s actual version of events, the more earthly side of the story that her visitors refuse to write down. It is recorded years after the crucifixion, when disciples are visiting her regularly, eager to collect tidily divine stories as fodder for the Gospels. Testament is Mary’s first-person account of watching her son turn from a child into a revered godhead. You’re Thinking About Home Heating Wrong Ian Bogost
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